Write On To Dedicate Norb Blei’s Coop | Peninsula Pulse

15 05 2015

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719A91Qij2B87593.medWrite On, Door County will celebrate the literary legacy of the late Norbert Blei and a dedication of The Coop (the writing studio where he worked in Ellison Bay) during its second annual house May 30.

Blei, born and raised in Chicago, moved to Ellison Bay in 1968 and lived his passion and joy for writing, teaching and art. He was writer-in-residence at The Clearing Folk School, a position he held for 40 years; edited a Door County arts newspaper; and was editor and publisher of CROSS+ROADS PRESS, which was devoted to emerging and accomplished poets, short story writers, essayists, novelists, artists, and photographers.

With the help of a neighbor, Blei converted an old chicken coop into his writing studio. Surrounded by stacks of books, newspapers, and notebooks, he wrote at his table, first on a typewriter, then on a computer, composing the profiles that would be included in such books as Door Way and Meditations on a Small Lake.

Blei died April 23, 2013. The Coop was moved to the Write On property Aug. 26, 2014. It will be used as it was intended – as an inspirational place set in nature in which writers can work on their craft.

Join Write On for an afternoon of fun and celebration at their second annual open house on May 30, 1 – 4 pm. There will be live music by Jeanne Kuhns & Small Forest, Pete Thelen, Jay Whitney, Al DeGenova, Charlie Rossiter and Mark Raddatz; readings by contributors to Soundings: Door County in Poetry and from selected works of Norb Blei; and family-friendly activities. Open mic readings will be held during the first hour: readers taken on a first-come, first-served basis and limited to three minutes. Chicken paella by Scott McEvoy will be served throughout the afternoon until it’s gone. Bring a lawn chair or blanket and walking shoes to hike the half-mile writing path. Watch writeondoorcounty.org for a detailed schedule of the afternoon.





Open House…Open Coop

6 05 2015

Write On celebrates the love of writing and reading, along with the legacy of award-winning writer Norbert Blei in an afternoon that will include readings, music, and the dedication of the Coop, Norb’s beloved writing studio. Festivities begin at 1 and conclude at 4. Continue to watch our site for details.

Write On celebrates the love of writing and reading, along with the legacy of award-winning writer Norbert Blei in an afternoon that will include readings, music, and the dedication of the Coop, Norb’s beloved writing studio. Festivities begin at 1 and conclude at 4. Continue to watch our site for details.

Write On’s Second Annual Open House
May 30 @ 1:00 pm – 4:00 pm

Write On celebrates the love of writing and reading, along with the legacy of award-winning writer Norbert Blei in an afternoon that will include readings, music, and the dedication of the Coop, Norb’s beloved writing studio. Festivities begin at 1 and conclude at 4.

Date: May 30, 2015 | Time: 1:00 pm – 4:00 pm

Write On, Door County Center, 4177 Juddville Rd, Fish Creek, WI 54212 United States

Write On celebrates the love of writing and reading, along with the legacy of award-winning writer Norbert Blei in an afternoon that will include readings, music, and the dedication of the Coop, Norb’s beloved writing studio. Festivities begin at 1 and conclude at 4. Continue to watch our site for details.





Norbert Blei | August 23, 1935 – April 23, 2013

23 04 2015

Norbert Blei | August 23, 1935 – April 23, 2013

 





The Norbert Blei Writing Workshop

23 03 2015

blei

The Norbert Blei Writing Workshop

August 2-8, 2015
Albert DeGenova, instructor

  • “First-Person Confessional” with a focus on personal writing
  • Overview of Creative Writing
  • Writer Independent Study

at The Clearing Folk School, Ellison Bay (Door County), Wisc.

Registration now open! Limited Space! Details at The Clearing Folk School (click here)

NORBERT BLEI WRITING WORKSHOP
August 2-8, 2015
With Instructor/Writer
Albert DeGenova

These classes are taught in the tradition of renowned writer and teacher Norbert Blei (1935-2013), who passed the torch of his 40+ year writing class at The Clearing to Albert and Susan O’Leary (Susan will be teaching “The Writer’s Craft,” Sept 13-19, 2015, also at The Clearing). Albert will be continuing Norb’s vision of a week that includes introductory and advanced classes, individual conferences, and the camaraderie of a community of writers.

Please choose one of these classes when registering:

  • Mornings – Overview of Creative Writing
  • Afternoons – “First Person Confessional” (includes more advanced writing assignments)
  • Writer Independent Study
  • Overview of Creative Writing

Burgeoning Writers.

This class will explore the major areas of creative writing: poetry, fiction, and non-fiction. Students will consider various writing techniques, discuss journal writing, poetry and prose poems, short story writing, the personal essay and blogs, and the significance of poetic devices as the basis of all creative writing, what “story” means in our lives, as well as an overview of the promises of publication. Class sessions will be devoted to discussion, in-class writing, and constructive criticism. No one need feel intimidated or out of place regardless of age, background or ability…all that is a required is the urge and desire to write.

“First Person Confessional”

As “autobiographical” detail has become the norm in contemporary writing, this class will look closely at how the confessional writers opened the door to the 21st century phenomena which is Slam Poetry and the explosion of personal memoir onto the best-seller lists. With a focus on this writing genre, students will explore how much confession is too much confession. Poets Anne Sexton and Sylvia Plath let their first-person personas detail personal experiences deeper and more honestly than any women who had preceded them. Their “confessional” style was courageous, but not without criticism. Students will examine their own writing for those recurring themes of personal experience and detail that may or may not enhance their work.

Core reading:

  • Selected Poems of Anne Sexton by Anne Sexton
  • Ariel by Sylvia Plath
  • Loose Woman by Sandra Cisneros

Additional reading (recommended but required):

  • The Golden Notebook by Doris Lessing
  • Birthday Letters, by Ted Hughes
  • Big Sur, by Jack Kerouac

Advanced Writing Individual Conferences

For practicing writers (any creative genre) with some history of previous publication. Albert will work individually with those Advanced Writers who submit manuscripts and/or writing projects to him one month in advance of the first class.
For further information (and before submitting materials), please contact Albert: al.degenova@yahoo.com.

Independent Study

Open to anyone with a desire to spend a week at The Clearing during the writing workshop session. No class work, writing assignments, or reading obligations. Consider yourself welcome to monitor the writing classes and programs. This could be a valuable week of insights into the writing life. Recommended as well for people who love to read and would enjoy spending a week as part of a community of fine writers.

The Clearing

Write, relax, learn…getaway from it all!!! This is famed landscape architect Jens Jensen’s dream come true. Read Albert’s essay on his relationship to The Clearing and Norbert Blei here: “Jensen’s Great Poem.”

Albert DeGenova

Your instructor

Albert DeGenova began his studies with Norbert Blei at The Clearing in 1996. He is an award-winning poet, writer, editor and publisher. He is the author of four books of poetry, and for the past 30+ years has worked as a journalist, public relations practitioner, copywriter, and marketing communications professional. In June of 2000 he launched the literary/arts journal After Hours, for which he continues as publisher and editor. In 2014, After Hours Press published The Professor’s Quarters, student perspectives on Norbert Blei and his class at The Clearing. DeGenova holds an MFA in Writing and is an adjunct professor at Concordia University, River Forest, IL. Albert is also a blues saxophonist and one-time contributing editor to Down Beat magazine. Read more on his website. Click here.





Norbert Blei – Watercolor Artist | by Jude Genereaux

16 03 2015

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Norbert Blei | Watercolor Artist by Jude Genereaux

I wonder how many of Norb’s readers know, along with all else he accomplished, that he was a prolific water color artist?

Particularly in the late 1970-80’s, Norb turned to painting when he needed to refresh his spirit or give his driven energies a break from the keyboard. On a narrow, tall table behind his writing desk, he laid a simple 23”x 18” flat board where he stood to paint. The only photo I’ve ever seen of him so engaged is found on the back of his book “Paint Me A Picture, Make Me a Poem”, taken in a time zone when he wore his hair long, falling to his shoulders.

The most well known of his paintings may be his collection “Die Mauer”, a series on the Berlin Wall. After returning from a trek to Germany at the time “the Wall” was being dismantled, Norb was haunted by the artful grafitti covering the west side of it. What began as a simple painting to commemorate it for himself, grew into an obsession – in the end he found he’d amassed 46 paintings! Arlene LewAllen, Norb’s close friend and art gallery owner in Santa Fe, was so excited to learn of Norb’s creation that early in 1993 she had him send them to her to be framed and hang in her gallery in Santa Fe. In April, 1993, Norb flew to Santa Fe to host an Opening to show his work, presenting a narration of how the series came to be and talk on the individual pieces.

I later found buried under piles of video and cassette tapes, one of only two VCR tapes that were made of this notable event; be assured copies were made, initially VCR, then transferred to CD’s for the family, a few friends and – history. Many of these provocative and moving paintings were sold, but a number of the Berlin Wall series remain in storage.

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Prolific as this collection was – there were others … SO! many others, ranging widely from the whimsical to the erotic, from his early years of experimental dabbling:

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through borrowings from his favorite artists, Henry Miller, Ken Patchen, Marc Chagal:

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Cover of “Once I Loved Him Madly” | click the image to enlarge…

Over the years Norb’s work evolved into adept expressions of his experiences and personal history. He used painting to express emotional zones he was prone to, naming his collections as he became gripped by them. Some exposed dark side fascinations, as in the “Mr Death” collections:

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One collection sprung from years of growing up as a “Catholic Boy”:

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Others he referred to as the “Angel” series, “Southwest”, “Santa Fe” and “Three Women”.

Norb worked poetry and emotion into much of his work:

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The “Tango Dancers” are among my favorites –

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Norb also painted expansively of Eros … anyone knowing Norbert Blei recognized he was a romantic, a poet, a man in love with life and art; his water colors reflect this.

Norbert Blei

Coyote Woman

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The King and Queen of Bohemia” | click the image to enlarge…

Much of Norb’s work has been sold, but probably far more was given to friends and fellow writers, becoming treasures in private homes from here to California. Some remains in storage. All of his work is a treasure, and “Another facet of Blei”, not everyone knew existed.

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“These paintings are not souvenirs. They are small joys, dreams, meditations, mystical journeys, adorations of the private sort for those seeking what they know not. It is not my business to paint. Just paint.” “The Watercolor Way” Norbert Blei





Jude Genereaux | New Years Eve. Our Way.

29 12 2014
Jude Genereaux & Norbert Blei

Jude Genereaux & Norbert Blei

New Years Eve. Our Way.

There are those of us “quiet people” in the world who’ve spent lifetimes avoiding the hardy HOoHaH of New Year’s Eve. We choose instead to scurry off together after the festivities of Christmas slow down, to savor the peace of just being a duo again. To seek out some place special to share hours of reflection and renewal, in the quiet of winter evenings infused with beauty and light.

This was our deeply held tradition, Norbert’s and mine. We tagged New Years Eve as our own, and escaped to: Milwaukee! The best kept secret in the mid-west. Milwaukee. City of old and treasured buildings and architecture, abundant with ethnic restaurants of every culture, gifted with the world famous Calatrava addition to the Art Museum – and boldly glittered & lit as festive as a city can be. Most surprising: there was somehow a quietness that cocooned the East Side as we walked the snowy sidewalks at night.

As much of a Chicago person as one can be, Norb still came to love Milwaukee. It was something we discovered and made Ours together. More negotiable in scale (and expense), and an easy drive from home in Door County. We could be there in a three short hours, to check into our favorite corner room at the (former) Park East, where we could walk to the museum and numerous galleries nearby. Walk to breakfast at the Plaza or the old Knick; walk past gracious brownstone homes and glorious churches, through the beautiful neighborhood of the East Side. Walk to dinner at the Lakeside, the County Clare Irish Pub or if we were lucky enough to be there on a Friday – through the city square’s brightly lit park to Elsa’s for giant shrimp and broccoli & honey-mustard sauce.

Afternoons were for bookstores. The old Schwartz bookstore (now Boswells) on Downer and the classic “Woodland Patterns” on Locust. Once inside, Norb could only be lured out by a good movie ~ or two … all the films that never made it north to the Door, we’d catch up on at the Oriental or on Downer Street. In between, to wander through Sendiks wonderful grocery to oogle the beautifully fresh produce, and never! missed stopping at Glorioso’s on Brady Street – an Italian deli loaded with wonder.

New Years Eve dinner itself? Only one place for that. “Three Brothers”- from Serbia. The Burek and Serbian salad – incomparable. Not everyone might “get” the ambience of its old country charm, but Norb cozied in like a cat in a cushion. Before all the new road work, it was nearly impossible to find – our first time, we drove in circles through south Milwaukee until nearly giving up, though thankfully we did not. Just a few years ago, one of the founding brothers, Branko Radicevik (now 91), joined us at our table to talk history and recipes with Norb. We did not know it would be our last time.

Norbert Blei & Branko Radicevik

Norbert Blei & Branko Radicevik

One crucial stop remained before returning to our room to watch the New Year’s Eve ball drop in New York. A cab ride took us to the Pfister Hotel for after dinner scotch in the luscious golden lobby, relishing the beauty of the room and Jeff Hollander on the baby grand. Then to the top – the Blu Room, where a jazz trio normally held forth. We finished our kind of New Year’s Eve surrounded by just the right amount of glitter, soft sexy jazz, city lights and – the quietness we treasured, just the two of us.

Time is a river, rolling and roaring and whisking away our days … days that rush at us in abundance, tumbling forth one after another as if they’ll never end. They do. Our New Years Eves were high in treasure, and memory. Friends have followed our lead and some now walk these same paths; I’d ask that you remember us in our favorite haunts ~ that’s what I’ll be doing on New Years Eve.

“We write to taste life twice, in the moment and in retrospection” ~Anaїs Nin.

Alchemy: a mingling; the medieval chemical science, object of which was to transmute base metals into gold, to discover the universal cure for disease and means of indefinitely prolonging life.

Alchemy

A frosty New Year’s morning
from a corner window, our favorite room
we watch the Calatrava salute
a new morning sun.

Sea smoke rolls off Lake Michigan,
the famous blue flame flags our cold walk
to the Plaza for coffee & eggs & early chatter.
Streets lined with brownstone mansions,
gothic churches and cafes steeped
in scent of the old country.
We wander through bookstores
the riverfront; the Oriental at two o’clock.

City lights dot & glitter the night sky as our
cab delivers us to the warmth of golden lobbies
beckoning “come inside”;
Pfister’s piano man teases longing and
memory from ivory & shadow
the tower turns, blue jazz on top.

We start again
open as Calatrava’s wings.

~ Jude Genereaux

Norbert Blei

Norbert Blei








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