Open House…Open Coop

6 05 2015

Write On celebrates the love of writing and reading, along with the legacy of award-winning writer Norbert Blei in an afternoon that will include readings, music, and the dedication of the Coop, Norb’s beloved writing studio. Festivities begin at 1 and conclude at 4. Continue to watch our site for details.

Write On celebrates the love of writing and reading, along with the legacy of award-winning writer Norbert Blei in an afternoon that will include readings, music, and the dedication of the Coop, Norb’s beloved writing studio. Festivities begin at 1 and conclude at 4. Continue to watch our site for details.

Write On’s Second Annual Open House
May 30 @ 1:00 pm – 4:00 pm

Write On celebrates the love of writing and reading, along with the legacy of award-winning writer Norbert Blei in an afternoon that will include readings, music, and the dedication of the Coop, Norb’s beloved writing studio. Festivities begin at 1 and conclude at 4.

Date: May 30, 2015 | Time: 1:00 pm – 4:00 pm

Write On, Door County Center, 4177 Juddville Rd, Fish Creek, WI 54212 United States

Write On celebrates the love of writing and reading, along with the legacy of award-winning writer Norbert Blei in an afternoon that will include readings, music, and the dedication of the Coop, Norb’s beloved writing studio. Festivities begin at 1 and conclude at 4. Continue to watch our site for details.





Norbert Blei | August 23, 1935 – April 23, 2013

23 04 2015

Norbert Blei | August 23, 1935 – April 23, 2013

 





Alice D’Alessio | Norbert Blei/August Derleth Nonfiction Book Award

9 04 2015
Norbert Blei (on the left) & John Lehman, who presented the Award to Norbert Blei in 1999 (John Lehman is the Founder and Editor-at-large of Rosebud, a Literary Magazine)

Norbert Blei (on the right) & John Lehman, who presented the Award to Norbert Blei in 1999 (John Lehman is the Founder and Editor-at-large of Rosebud, a Literary Magazine)

Norbert Blei/August Derleth Nonfiction Book Award

In the winter of 2013, the Board of the Council for Wisconsin Writers renamed its Nonfiction Book Award the Norbert Blei/August Derleth Nonfiction Book Award, to recognize Norb’s significant contribution to the Wisconsin literary archive.

The Council for Wisconsin Writers holds an annual contest to award notable achievements by Wisconsin Writers who have published work in the preceding year. Norb himself was winner of two awards over the years. The eight categories of awards include short and book-length fiction, short and book-length non-fiction, poetry, and children’s literature, as well as a young-writers essay award. There is also an award for Major Achievement and another for Contribution to Wisconsin writing.

Last year at the awards banquet in May, the Norbert Blei/August Derleth prize was awarded to B. J. Hollars, of Eau Claire, for his historical book Opening Doors: The Desegregation of the University of Alabama and the Fight for Civil Rights in Tuscaloosa, published by the University of Alabama Press.

B.J. Hollars is a writer of essays and other non-fiction, including the book Thirteen Loops: Race, Violence and the Last Lynching in America. Hollars’s essays have appeared in, TriQuarterly, Brevity, The Collagist, North American Review, Quarterly West, and many other literary journals.

I think Norb would be pleased that a writer who focuses on social injustice would win an award named for him.

Honorable Mention in the contest went to Nicholas Hoffman and Jesse Gant of Appleton for their book Wheel Fever: How Wisconsin Became a Great Bicycling State, published by the Wisconsin Historical Society Press.

On May 9 of 2015, the next cycle of awards will be announced at the banquet held at the Wisconsin Club in Milwaukee. Entries in the contest, which closed on January 31, are currently in the hands of judges.

The winner of this year’s Blei/Derleth award has been chosen, and will be announced at the banquet May 16. You can find out more by going to CWW’s website: http://www.wiswriters.orgAlice D’Alessio

award

norb





The Norbert Blei Writing Workshop

23 03 2015

blei

The Norbert Blei Writing Workshop

August 2-8, 2015
Albert DeGenova, instructor

  • “First-Person Confessional” with a focus on personal writing
  • Overview of Creative Writing
  • Writer Independent Study

at The Clearing Folk School, Ellison Bay (Door County), Wisc.

Registration now open! Limited Space! Details at The Clearing Folk School (click here)

NORBERT BLEI WRITING WORKSHOP
August 2-8, 2015
With Instructor/Writer
Albert DeGenova

These classes are taught in the tradition of renowned writer and teacher Norbert Blei (1935-2013), who passed the torch of his 40+ year writing class at The Clearing to Albert and Susan O’Leary (Susan will be teaching “The Writer’s Craft,” Sept 13-19, 2015, also at The Clearing). Albert will be continuing Norb’s vision of a week that includes introductory and advanced classes, individual conferences, and the camaraderie of a community of writers.

Please choose one of these classes when registering:

  • Mornings – Overview of Creative Writing
  • Afternoons – “First Person Confessional” (includes more advanced writing assignments)
  • Writer Independent Study
  • Overview of Creative Writing

Burgeoning Writers.

This class will explore the major areas of creative writing: poetry, fiction, and non-fiction. Students will consider various writing techniques, discuss journal writing, poetry and prose poems, short story writing, the personal essay and blogs, and the significance of poetic devices as the basis of all creative writing, what “story” means in our lives, as well as an overview of the promises of publication. Class sessions will be devoted to discussion, in-class writing, and constructive criticism. No one need feel intimidated or out of place regardless of age, background or ability…all that is a required is the urge and desire to write.

“First Person Confessional”

As “autobiographical” detail has become the norm in contemporary writing, this class will look closely at how the confessional writers opened the door to the 21st century phenomena which is Slam Poetry and the explosion of personal memoir onto the best-seller lists. With a focus on this writing genre, students will explore how much confession is too much confession. Poets Anne Sexton and Sylvia Plath let their first-person personas detail personal experiences deeper and more honestly than any women who had preceded them. Their “confessional” style was courageous, but not without criticism. Students will examine their own writing for those recurring themes of personal experience and detail that may or may not enhance their work.

Core reading:

  • Selected Poems of Anne Sexton by Anne Sexton
  • Ariel by Sylvia Plath
  • Loose Woman by Sandra Cisneros

Additional reading (recommended but required):

  • The Golden Notebook by Doris Lessing
  • Birthday Letters, by Ted Hughes
  • Big Sur, by Jack Kerouac

Advanced Writing Individual Conferences

For practicing writers (any creative genre) with some history of previous publication. Albert will work individually with those Advanced Writers who submit manuscripts and/or writing projects to him one month in advance of the first class.
For further information (and before submitting materials), please contact Albert: al.degenova@yahoo.com.

Independent Study

Open to anyone with a desire to spend a week at The Clearing during the writing workshop session. No class work, writing assignments, or reading obligations. Consider yourself welcome to monitor the writing classes and programs. This could be a valuable week of insights into the writing life. Recommended as well for people who love to read and would enjoy spending a week as part of a community of fine writers.

The Clearing

Write, relax, learn…getaway from it all!!! This is famed landscape architect Jens Jensen’s dream come true. Read Albert’s essay on his relationship to The Clearing and Norbert Blei here: “Jensen’s Great Poem.”

Albert DeGenova

Your instructor

Albert DeGenova began his studies with Norbert Blei at The Clearing in 1996. He is an award-winning poet, writer, editor and publisher. He is the author of four books of poetry, and for the past 30+ years has worked as a journalist, public relations practitioner, copywriter, and marketing communications professional. In June of 2000 he launched the literary/arts journal After Hours, for which he continues as publisher and editor. In 2014, After Hours Press published The Professor’s Quarters, student perspectives on Norbert Blei and his class at The Clearing. DeGenova holds an MFA in Writing and is an adjunct professor at Concordia University, River Forest, IL. Albert is also a blues saxophonist and one-time contributing editor to Down Beat magazine. Read more on his website. Click here.





Myles Dannhausen Jr. | How Norb Blei Found the Internet

30 01 2015

Monsieur K.

How Norb Blei Found the Internet

In his final years, the writer found an audience online through a transatlantic connection
By Myles Dannhausen Jr.

If an editor had worked up the guts to suggest that writer Norb Blei start a blog in say, 2002, Blei probably would have blasted her with an avalanche of disgust for suggesting he acquiesce to the whims of the day, to fit his prose into some new definition of what the reader would buy.

Blei’s relationship with that editor might end right there.

Blei acquired a love for the web the only way he could, in a stroke of serendipity, improbability, and with a great story.

In August of 2007, Norb Blei sent out his Poetry Dispatch newsletter to his email list of devoted readers, This one, edition 179, included a review of a poetry chapbook by Los Angeles-based Mark Weber and Ronald Baatz. That email made its way to the inbox of a man living on the beach of Saint-Nazaire in Bretagne, France, who goes by the name Monsieur K. A fan of jazz and poetry, Monsieur K. had a website, Metropolis Free Jazz, where he sold hundreds of jazz, free jazz, improvisation and other obscure genres, including work by Weber.

Monsieur K. dropped Blei a note to let him know more about Weber, whose website he managed. Blei was fascinated both by Weber and by this strange new connection.

Blei wrote then that he “immediately loved everything [Monsieur K.] did on Weber, not to mention the beauty, design, quality of the website itself. Somebody doing something thing like this, somewhere outside one’s own country, immediately removes chapbook-poet Weber writing from Albuquerque, New Mexico and puts him and his work in a whole other dimension.”

Blei and Monsieur K. exchanged emails, leading the then 72 year-old Blei to take his words to a new realm.

“After catching up with Norbert Blei I came up with the idea to transform his Poetry Dispatch email list into a web page,” Monsieur K. explains. “That’s how poetry Dispatch was born. Norbert sent me all the dispatches and Notes from the Underground in his archives so I could add them to the web page, and we began adding new posts as he produced them.”

Monsieur K. took the text from Blei’s “old fashioned” emails and posted it to the website, adding images, additional information, links, and a visual touch. He had the relationship with Blei that a long line of editors only wished they had.

“Norb always gave me carte blanche,” he says. “It was really easy working with him. We were in contact on a daily basis and I still have thousands of his emails stocked on my computer.”

Now the words of an aging writer, one disenchanted with the deteriorating state of the publishing industry, made their way out of an old chicken coop tucked into the lonely woods at the tip of Wisconsin’s Door Peninsula to readers worldwide. The blog has since been visited 642,000 times and still gets 250 more visitors every day, about half from the United States, but the rest from England, Canada, Italy and dozens of other countries.

Blei was enthralled by this worldwide audience. He learned the language of the web – links, trackbacks, CSS. “He was very keen on following up new web techniques,” Klaus said. “Sitting in a converted chicken coop didn’t make him unaware of new forms of communication.”

The lone day I got to spend with Norb in his coop, he was energized when he talked about the blog. Where a typewriter once sat on his desk, a flat-screen monitor now held his words. It took him a while to make that switch (he loved the sound of the old ones. “It seemed like you had more ownership of the manual typewriter,” he told me.) but the ease of editing sucked him in. His first computer was a Tandy with a green screen, found up down the road in Sister Bay, at Hammersmith’s Radio Shack.

Twenty-five years later he found the internet. Being discovered anew by readers in far-flung countries in the age when the book was dying gave him hope for the writer, hope for himself. The blogs brought him new followers, new people with which to communicate, to talk writing and words. But to some who had come to correspond with him over decades, something was lost.

“He got lost in the internet,” said his close friend Jean Feraca, the longtime host of Wisconsin Public Radio’s Here on Earth. “I hate to say this, but it became almost annoying to get so much. When he was sending me stuff in the mail it was so personal. Before the internet came along he would send copies of articles. I missed that.”

Dave Pichaske, Blei’s longtime publisher, thought the blogs took Blei’s attention away from his books, and lamented the work left incomplete.

“If he had got the projects together I would have published the books,” Pichaske said. “But as a writer, you need an audience, you need to perform. At the end he didn’t have that in print. He did blogs, and that made him happy.”

Still, Feraca realized that the blog, email and this new audience were doing for Norb what the publishing industry no longer could.

“He saw it as the antidote to his isolation. The Internet was the way he could really be a contender.”

One good reason today’s writer might hope to be heard in our world of constant distraction, diminishing readership, a culture gone kaput, rests in what you are now reading on the screen : the community of cyber communication which as writers we’re going to have to live with, study, understand, and utilize if we expect any audience at all. The time when editors, publishers, and agents rang you up for work, courted you with lunch, drinks, promises and blank checks is long gone– if you were fortunate to experience any of this at all. “You’re just going to have to do it yourself” is as true today as ever. Yes, there are still, and will always be publications out there to sell (basically give) your work to, and a handful of quality publishers large and small that might conceivably even invest in your work at their expense in the hope that it might make a little money for them – and maybe you. However, it’s increasingly unlikely these days you will find a publisher who truly believes in your vision as a writer.

Dannhausen_mugMyles Dannhausen Jr. wrote a profile of Blei in the winter 2015 edition of Wisconsin People & Ideas magazine. Dannhausen is a freelance writer who lives in Chicago’s Humboldt Park neighborhood. He is a native of Door County, Wisconsin.

 





Jude Genereaux | New Years Eve. Our Way.

29 12 2014
Jude Genereaux & Norbert Blei

Jude Genereaux & Norbert Blei

New Years Eve. Our Way.

There are those of us “quiet people” in the world who’ve spent lifetimes avoiding the hardy HOoHaH of New Year’s Eve. We choose instead to scurry off together after the festivities of Christmas slow down, to savor the peace of just being a duo again. To seek out some place special to share hours of reflection and renewal, in the quiet of winter evenings infused with beauty and light.

This was our deeply held tradition, Norbert’s and mine. We tagged New Years Eve as our own, and escaped to: Milwaukee! The best kept secret in the mid-west. Milwaukee. City of old and treasured buildings and architecture, abundant with ethnic restaurants of every culture, gifted with the world famous Calatrava addition to the Art Museum – and boldly glittered & lit as festive as a city can be. Most surprising: there was somehow a quietness that cocooned the East Side as we walked the snowy sidewalks at night.

As much of a Chicago person as one can be, Norb still came to love Milwaukee. It was something we discovered and made Ours together. More negotiable in scale (and expense), and an easy drive from home in Door County. We could be there in a three short hours, to check into our favorite corner room at the (former) Park East, where we could walk to the museum and numerous galleries nearby. Walk to breakfast at the Plaza or the old Knick; walk past gracious brownstone homes and glorious churches, through the beautiful neighborhood of the East Side. Walk to dinner at the Lakeside, the County Clare Irish Pub or if we were lucky enough to be there on a Friday – through the city square’s brightly lit park to Elsa’s for giant shrimp and broccoli & honey-mustard sauce.

Afternoons were for bookstores. The old Schwartz bookstore (now Boswells) on Downer and the classic “Woodland Patterns” on Locust. Once inside, Norb could only be lured out by a good movie ~ or two … all the films that never made it north to the Door, we’d catch up on at the Oriental or on Downer Street. In between, to wander through Sendiks wonderful grocery to oogle the beautifully fresh produce, and never! missed stopping at Glorioso’s on Brady Street – an Italian deli loaded with wonder.

New Years Eve dinner itself? Only one place for that. “Three Brothers”- from Serbia. The Burek and Serbian salad – incomparable. Not everyone might “get” the ambience of its old country charm, but Norb cozied in like a cat in a cushion. Before all the new road work, it was nearly impossible to find – our first time, we drove in circles through south Milwaukee until nearly giving up, though thankfully we did not. Just a few years ago, one of the founding brothers, Branko Radicevik (now 91), joined us at our table to talk history and recipes with Norb. We did not know it would be our last time.

Norbert Blei & Branko Radicevik

Norbert Blei & Branko Radicevik

One crucial stop remained before returning to our room to watch the New Year’s Eve ball drop in New York. A cab ride took us to the Pfister Hotel for after dinner scotch in the luscious golden lobby, relishing the beauty of the room and Jeff Hollander on the baby grand. Then to the top – the Blu Room, where a jazz trio normally held forth. We finished our kind of New Year’s Eve surrounded by just the right amount of glitter, soft sexy jazz, city lights and – the quietness we treasured, just the two of us.

Time is a river, rolling and roaring and whisking away our days … days that rush at us in abundance, tumbling forth one after another as if they’ll never end. They do. Our New Years Eves were high in treasure, and memory. Friends have followed our lead and some now walk these same paths; I’d ask that you remember us in our favorite haunts ~ that’s what I’ll be doing on New Years Eve.

“We write to taste life twice, in the moment and in retrospection” ~Anaїs Nin.

Alchemy: a mingling; the medieval chemical science, object of which was to transmute base metals into gold, to discover the universal cure for disease and means of indefinitely prolonging life.

Alchemy

A frosty New Year’s morning
from a corner window, our favorite room
we watch the Calatrava salute
a new morning sun.

Sea smoke rolls off Lake Michigan,
the famous blue flame flags our cold walk
to the Plaza for coffee & eggs & early chatter.
Streets lined with brownstone mansions,
gothic churches and cafes steeped
in scent of the old country.
We wander through bookstores
the riverfront; the Oriental at two o’clock.

City lights dot & glitter the night sky as our
cab delivers us to the warmth of golden lobbies
beckoning “come inside”;
Pfister’s piano man teases longing and
memory from ivory & shadow
the tower turns, blue jazz on top.

We start again
open as Calatrava’s wings.

~ Jude Genereaux

Norbert Blei

Norbert Blei








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