Norbert Blei | Jim Spector | The Quiet Time: Door County in Winter

30 08 2013

Readings by Norb Blei & Music by Jim Spector

Tracklist: Door in Winter: December Entries: 1. 29th Going for Milk 2. 30th A Remberance of Red 3. 31th The White Path 4. Christmas Eve in Door

All selections from DOOR STEPS © 1996 ELLIS PRESS, P.O. Box 6, Granite Falls, MN 56241

The Quiet Time: Door County in Winter. Readings from Norb Blei’s DOOR STEPS (The Days, The Seasons) Original music for guitar by Jim Spector.

In five seasonal essays and a daybook of 365 entries, Norbert Blei records the passing of days and seasons in Door County, in his life, in our lives.

A delicate balance between the rugged Door terrain and the author’s inner landscape, the entries of DOOR STEPS (the second book in Blei’s Door County trilogy, which also includes DOOR WAY and DOOR TO DOOR) range from objective, almost naturalistic observations to pure poetry.

Jim Spector is best known for his passionate solo flamenco recordings and his inspired concert performances. He has arranged, composed and recorded the soundtracks to award-winning documentary films and music from his compact disc recording “Flamenco Passions” (DCV002, Door Couniy Voices) has been featured on American Airlines. In this collaboration with Norbert Blei, the text provided the images to inspire a musical setting for sensitive, evocative readings.

Produced by Door County Voices, a division of Open Door Productions, Inc., P.O. Box 517, Sturgeon Bay, WI 54235. Readings performed by Norbert Blei. Original music composed and recorded by Jim Spector. Recorded at Sound Fanners, Sturgeon Bay, WI. Produced by Mark Thiede. Executive Producer: Cy Rosenthal. Photography by Dan Hatton.

Editors note: This recording was originally released as cassette and is not longer available. Norbert Blei was so kind to send me one of the very last un-played tapes. Digitalized as mp3 in 320kps | 44100hz | Stereo quality by Markus Mayer in Vienna, Austria.


Download

This download consists of one 62.27MB zip file containing the complete track list in 320kbps MP3 format along with album art in high resolution JPG format. If you are interested in, please click here…  A listening example is included.





Norbert Blei | Door Way

29 08 2013

Norbert Blei | Door Way

Norbert Blei’s award winning book “Door Way” is back in print in paperback for the first time. This display of “Door Way” is at Al Johnson’s Swedish Restaurant in Sister Bay , WI. Al’s was Norbert’s favorite stop each morning for coffee.

The book is also available in the Door County area of Wisconsin at “Main Street Market” in Egg Harbor, WI and the “Pioneer Store” in Ellison Bay, WI.





Norbert Blei’s grave

28 06 2013

Norbert Blei's grave





Norbert Blei | August 23, 1935 – April 23, 2013

23 04 2013

Norbert Blei

Photo by Jude

Norbert Blei | August 23, 1935 – April 23, 2013

Stories at birth, before birth, every moment of our lives to the end. We breathe telling tales. And then what happened? The story ends? The story never ends. We are immortal. We are myth. We remember. — Norbert Blei





norbert blei | catching up: death notices & last words

18 08 2012

NOTES from the UNDERGROUND  # 216 (& Poetry Dispatch) | August 18 , 2012

Catching Up: Death Notices & Last Words

by
Norbert Blei

“Style is knowing who you are, what you want to say and not giving a damn.” –Gore Vidal

I’ve sung this song before: I’m having a hard time keeping up with everything. But I sing it again. The too many websites I maintain; writing my own books and other works; publishing the books of others I have every intention and desire to publish by my own small press, Cross+Roads Press; promoting neglected writers and publishers I promise myself (sometimes them) to bring to light—bur too often disappointing us both when I fail to do so for any number of the usual reasons; falling behind on preparations to teach, do readings and/or talks; maintaining communications (e-mail, snail mail, phone, texting, personal meetings) among a network of writers, family, friends…not trying to mention maintain some kind of private and social life beyond the written word—though I may be kidding myself since my life, for more than fifty years of it at least, one way or another, has been associated with the word and getting it out there.

So, yes, I’m behind. Again. Yes, I’m tired. More so than usual. But yes I’m enthused and renewed by all that I do and the many lives I try to reach… so it seems I must continue because this is who I am or seem to have become. Given all that’s on my plate, and no matter how frustrated I become every day, the writing is also on the wall: I’m going to leave a hell of a lot of unfinished business when the light goes out. And I’m just going to have to live with it. Saddest of all, the number of my own minimally noted and planned, partially written, almost finished, totally unwritten books–except for their daily life in my head, where I am an accomplished writer beyond belief, writing two or three books a week in thin air! How I wish there were more time. Or I had done it differently. Or I was different. But as Gore Vidal suggests in that opening quote: “Style is knowing who you are…” It takes time enough to just arrive there.

Which brings me back to the beginning of today’s commentary, which has been on my mind for sometime.

I wanted to say a few words about Vidal’s death…as well as a number of others, recently and not so recently…Christopher Hitchens, Ray Bradbury, Harry Crews…not to mention small press writers, Leonard Cirino, Todd Moore. etc. but I never got around to it. What a loss, all of them, Vidal especially. We can’t replace the likes of him, such truthsayers, on the American landscape. I guess ‘acerbic’ is the right word when it comes to him: “I am an obsessive rewriter, doing one draft and then another and another, usually five. In a way, I have nothing to say, but a great deal to add.” said Gore Vidal on writing.

He had much worth noting about the arts. Things many of us in practice need to be reminded of: “This is not at all bad, except as prose.” Or, “Whenever a friend succeeds, a little something in me dies.” Vidal’s line: Though I could take him or leave him when it came to Warhol’s art, Vidal’s critique always makes me smile: “Andy Warhol is the only genius I’ve ever known with an I.Q. of 60.”

When it comes to politics in this country…how we will miss him in the upcoming election.
“Apparently, a democracy is a place where numerous elections are held at great cost without issues and with interchangeable candidates.”

Better yet, weaving a writer’s words into the American political fabric: “As societies grow decadent, the language grows decadent, too. Words are used to disguise, not to illuminate, action: you liberate a city by destroying it. Words are to confuse, so that at election time people will solemnly vote against their own interests.”

I’m especially mindful of authors and artists who refuse titles and honors by one interest or another: “I don’t want anything,” said Gore Vidal. “I don’t want a job. I don’t want to be respectable. I don’t want prizes. I turned down the National Institute of Arts and Letters when I was elected to it in 1976 on the grounds that I already belonged to the Diners Club.”

He IS missed.

Speaking of last words. I remain a huge lover of the works of James Joyce and have given up trying to defend him–especially ULYSSES. You either love him or hate him. Though you may hate him at one point in your life…give him time. We read him, are ‘taught’ him too early.

He needs to be aged. Don’t read or revisit ULYSSES until at least the age of 40.

I love this recent rebuke that appeared in the NYTimes. I have read only a little of Paul Coelho, but it did my heart good to read how Guardian critic Stuart Kelly responded to Coelho’s remarks:

Since its publication in 1922, James Joyce’s “Ulysses” has been put on trial for obscenity and subjected to reckless over-correction of its punctuation. But now the novel, widely considered one of the greatest works of the 20th century, has suffered per­haps its gravest indignity: being insulted by the Brazilian writer Paulo Coelho. In an interview with the Brazilian newspaper Folha de S. Paulo, Mr. Coelho…whose mystical novels, including “The Alche­mist,” have sold a reported 140 million copies worldwide, declared that Joyce, right, had dam­aged the 20th-century novel by reducing it to “pure style.” “There is nothing there,” Mr. Coelho said. “If you dissect ‘Ulysses,’ it gives you a tweet.” Mr. Coelho, described in the article as being online “almost 24 hours a day,” also boasted of his social media prowess, declaring: “Twitter is my bar. I sit at the counter and listen to the conver­sations, starting others, feeling the atmosphere.” But within hours some corners of the bar had turned distinctly against him. “Coelho is, of course, entitled to his dumb opinion,” the critic Stuart Kelly wrote in a much retweeted post on The Guardian of London’s books blog, “just as I am entitled to think Coelho’s work is a nauseous broth of egomania and snake-oil mysti­cism with slightly less intellect, empathy and ver­bal dexterity than the week-old Camembert I threw out yesterday.” — jennifer schuessler NEW YORK TIMES 8.10.12

I leave you with this:

“Writers, since they have so many words, often have the last one.” –Gore Vidal.





the white bicycle part II

5 05 2012

POETRY DISPATCH No. 371 | May 5, 2012

THE WHITE BICYCLE, Part II

The Best Prose Piece plus Selections from the Second Wave of Poems

EDITOR’S NOTE: I neglected to include the best “White Bicycle” prose piece in Friday’s posting which featured the three poems which best captured the image.

Part II leads off with the story by Jean Casey, followed by an at random selection of good poems which fell into a category the other judge and I saw as ‘the second wave.’ None of these selections are in any kind of order, they’re just good poems—which didn’t quite make the final three for reasons I previously mentioned. (And there are more, which I may or may not get around to featuring sometime.)

I would add one thing to the poetry finalists who were chosen and the prose writer. The other judge is an excellent reader, writer, editor who resides some distance from Wisconsin and would not have known any of the writers had I included their names—which I did not. I certainly expected there would be some disagreement over our choices, and we would have to work this out.

Once the noon deadline was reached, I made my final choices, in no particular order, just three poems and the one story I liked best, then awaited an e-mail from the other judge. There were no phone calls, no e-mail discussion between us. When the e-mail from the other judge arrived later in the day, I was beyond astounded to discover we both picked the exact same works! This almost never happens. –Norbert Bleib

The White Bicycle

by
Jean Casey

He had never won anything before, not a single thing, and now he had this amazing jackknife with all sorts of important attachments which made an important and heavy weight in his pocket. And all because of the Old Ellison Days parade. Oh, he knew it wasn’t a grand thing, but it was a yearly event with fire engines, some folks on horseback, an honor guard of veterans, a few simple floats, and a bunch of kids on decorated bikes and some politicians in shiny cars. This year they announced prizes to include the bikes. He didn’t give it much thought, because he was never a part of anything like that. Fat and slow with a hampering stammer, he hung around the edges of life. His 6th grade teacher tried, because she knew he was bright inside, but he avoided her help.

But this year, before the parade, he felt an urge to enter, especially knowing about the grand prize for bikes, that knife! It came to him one moonlit night when he lay in his bed before sleep that he could avoid somehow being seen as his lumpy self if he…yes! If he went covered up…yes, indeed! As a ghost! Everything must be white! His old bike was a dark maroon, rusty, tired. But, if he painted it…!

No way could he get by with this unless he consulted his mother. In the morning he found her with her mouth filled with clothes pins hanging a wash on the outside lines. She listened, fastening some socks with the stored pins. “The only white we got around here is flat wall paint left over from the living room, but you can use it, and you’ll need an old sheet to wear. I have one. We’ll have to cut eye holes in it, but that’s okay. I’ve got a chain link belt, come to think of it, that ought to help you cinch it in.”

He said, excited, “I think I’ll ask dad for his old straw hat! If he let me, I could paint it white too! I think a ghost should have a hat!” He didn’t stammer, she noticed.

Parade day, he said not a word to anyone, played his part, accepted his prize from the puzzled judge who asked for and didn’t get his name, because this ghost never talked. And now, the bike was propped up in back of the barn, and he would redo it bright red. His dad gave him money for the paint. The prize would stay in his pocket, unless he was at home whittling.


…remember the rides
all the bikes in my life
now white as ghost shadows.

Bonnie Hartmann

THE WHITE BICYCLE

by Sharon Auberle

when everything is falling apart
my friend, when you’re stuck
in the horse latitudes
mired in a dark
night of the soul
when you’re no longer sleek
sexy and smooth

find the white bicycle
climb on that
fat-tired slow beast
pedal and huff and
laugh like you mean it
whistle sing shout
and cuss use words
your mama told you never to

push that bike up a mountain
when you get to the top
when you’re near
to over the hill
when night is falling fast
jump on whoop and holler

ride that old bicycle down
no brakes allowed
fireflies and stars
your only light
and when you wipe out
(and yes, honey, you will)
darkness like a big pillowy woman
will come along and wrap you up
whisper everything’s gonna be allright…

no worries, baby,
she’ll carry all
your broken pieces home…

A WHITE BICYCLE

by Chris Halla

Parked here by an old man
shaped like a question mark

Hoping a young girl in a yellow dress
would eventually steal

his white bicycle away
on a green, spring afternoon

The White Bicycle

by Alice D’Alessio

I dreamt I saw it standing all alone
beside the blue barn wall.
Ghost, what are you doing here?
I asked, recognizing every
feature – the torn seat, the gash
in the front tire from the time
we hit the tree; the dented fenders,
handlebars minus their grips
minus the bell that Mickey Loman stole;
and best of all, the fancy chain guard –
to keep my pants from catching on the chain
and getting greasy. My first bike,
bright and shiny blue it was
and trimmed in red.
It meant the war was over.

The shadowy background
made the bike seem luminous.
You’re lookin’ pretty good, I said,
for an old guy. And then I thought
I heard it whisper, You too.
Let’s go race down Kaiser Hill,
shall we? There’s still time.

The White Bicycle

By Don Fraker

Nearly an albino,
But for her leathery dark barnacle of a seat,
Tattered, betraying her age –
Paint no cure for that condition.

Mobya was my vessel,
Her now-departed basket ferrying books
From their orderly, patient moorings at the library
To the needy harbor of their offloading.

Got her in junior high,
Whitened her in unspoken tribute to the first teacher who credited me with adult capacities,
His brine-soaked incantations of albatross, and mutiny, and whale,
Setting me a-sail on new-seen old adventures.

Though now my daughter’s ark,
No more the carrier of tomes
Of late evanesced, ether-borne,
Her bleached carapace transports me still.

THE WHITE BICYCLE

by Ralph Murre

the way she rode it
as much on clouds
as on concrete

as much from as toward
on a pavement of dream

the way I saw or didn’t see
the way it didn’t seem
she any longer needed me
to run along beside

the way the ride then
circled back in setting sun

the thing about a cycle
is the way it’ll repeat

her white bike may come back
may lean up
again against my shack

who knows when a cycle
or circle is complete?

Resurrection

by Paula Kosin

Even though it is not Easter
My mother hauled her old bike,
Tired, rusty but full
Of fond memories,
Out of the depths of the garage
And in the cool shade
Painted it white
The color of the Risen Lord
Of new life
And alleluias
And once she started
She just spray painted the whole damn
Thing
Tires, spokes, chain, pedals, handlebars
Every nook and cranny
Figuring that if a little paint made it look better
Then a lot would make it look wonderful
And the dirt and scratches and rust disappeared
Before our eyes
Like a miracle
And now it stands outside
Starkly propped against the blue sky garage
Drying and poised perhaps
For her ascension into Heaven








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